2. FSM
Written in the spring of 1998. The lyrics speak of an inner journey, the dream of a
young man seeking a comfortable and vulnerable space in which to express himself, and
explore the wholeness of his being. This song was
originally recorded
by Daniel's first band SacredLunatics.
3. Lonely for Omi
Written in the winter of 2001. It was originally conceived as a
solo piano introduction to the Ben Folds Five song "Air", for which Daniel's fellow
student Omi Vaidya had created a short film. After having written the piece, which was not
the focus of the film, Daniel decided it was one of his best works and continued to develop
it into a full performance piece.
4. Broken Windows Theory
Written in the summer of 2001. The closest "Instrumental" comes to a pop song. It speaks
of the apathy and despair Daniel felt in regards to the conditions of his life at the time.
The Broken Windows theory is a sociological concept developed by political scientist James
Q. Wilson and criminologist George L. Kelling. The theory says that if small crimes such as
the breaking of windows in a housing project go unpunished and the windows themselves are not
repaired, this state of affairs suggests to people in the area that no one cares about the
condition of the neighborhood, which then leads to more serious crimes. Daniel doesn't subscribe
to this theory himself, as he feels it has been used to victimize the poor and, in his opinion,
hasn't been shown to be correct in practice, only in theory.
5. Instrumental
Written in the summer of 2001. Title track of the album. A joke because this song
actually has the most extensive lyrics of any song on the record. Although the song is
ostensibly about being in love and not having to use words because the feelings are clear,
it is also about why Daniel likes instrumental music so much. It is because an instrumental
song requires no words to explain its meaning, it means what it says without being explained.
6. Murder in Small Town X
Written in the summer and fall of 2001. This song was inspired by the title of the
"reality" tv show of the same name. Daniel felt the title was such a great concept and
tongue-in-cheek sociopolitical statement that he had to come up with something inspired
using the title to make up for the fact that it was being used for an inane "reality"
tv game show. This song will feature a saxophone solo by John Whooley of the Santa
Cruz-based jazz, funk, metal, surf, circus, gypsy, jam, nightmare
Estradasphere.